From mellotrons to marketing: The AI labelling debate
An advertising lawyer's reflections on AI talent and disclosure
From mellotrons to marketing: The AI labelling debate
An advertising lawyer's reflections on AI talent and disclosure
Helen Bowyer
Director of Legal, IPA
Helen provides legal advice to IPA member agencies on advertising and marketing, including IP, regulatory and ad clearance, contracts, disputes and ASA investigations. She also supports regulatory and public affairs work across the industry.
In 1963, the Mellotron arrived. A revolutionary piece of music technology which could sample individual classical instruments on magnetic tape and create the sounds of entire orchestras from a keyboard. Then came the Moog and the Minimoog recreating the sounds of session musicians. Japanese artist, Isao Tomita, embraced these new tools to reimagine Debussy in the wonderful “Snowflakes Are Dancing” album, earning multiple Grammy nominations and introducing a generation of listeners to electronic classical music and to the Moog. By the 1980s, a tsunami of synthesisers and drum machines arrived. Traditionalists worried. Musicians worried. Music unions called for a ban to protect livelihoods. Electronic artists were alienated.
But we didn't bring in a ban. Nor did we start labelling records with *contains synthetic instruments*.
We ultimately treated the new technology as part of the creative toolkit, not something audiences needed to be warned about.
Fast forward to AI and the question of whether the use of AI in advertising needs a warning. New technology should not escape scrutiny. Importantly, advertising is different from music, because its purpose is to persuade and influence behaviour.
Stopped in my tracks
A couple of years back, I was getting more comfortable with the idea that if an art director uses AI to help generate a background, an animal or a generic prop, or helps create a stunt, why should that be any different from using stock photography, Photoshop or CGI? No label necessary?
Then I was asked to advise on a storyboard featuring a seemingly human protagonist who wasn't a real person at all. Something felt off. By that stage, we were already moving beyond the obvious AI giveaways: the “too many fingers to be real” clues were disappearing. I pondered on the use of undisclosed synthetic humans in ads. Does it matter? If so, when does it matter?
Ask the right question to get the right answer
When deciding whether a disclosure or label is needed for legal or regulatory reasons, for me,
the question shouldn’t be whether an AI tool has been used or not. The question should be, what difference does the AI make to the audience's understanding of the message?
The challenge is preserving the value of disclosure by reserving it for situations where consumers genuinely need the information. Otherwise, they will start tuning it out in a sea of noise. Real risks will be missed.
The EU AI Act
The direction of travel in Europe has been towards mandatory disclosure. The definition of “deepfake” in the EU AI Act is much broader than what English speakers may naturally interpret as “deepfake”. A deep fake is defined in the EU AI Act as AI-generated or manipulated image, audio or video content that resembles existing persons, objects, places, entities or events and would falsely appear to a person to be authentic or truthful. This captures a much wider range of AI-generated or AI-modified content than the term "deepfake" commonly implies in the UK, where it is often associated with malicious uses such as impersonation or deception.
It seemed to me that the initial assumption in the EU when drafting the law may have been that content is either fully AI or fully real. However, many campaigns are hybrid and combine both real and AI generated elements. The most recent EU guidance does include some helpful advertising examples now but it doesn’t address many of the more nuanced uses of AI humans in advertising. Given the breadth of the deepfake definition and significant fines, advertisers and agencies may need to take a cautious approach and assume that most AI talent use in the EU requires disclosure unless the guidance clearly indicates otherwise. I consider that in some circumstances, we end up in a situation where AI labelling and disclosure in the EU has the potential to actually confuse or even mislead the consumer rather than assist understanding.
UK: The essentials are already there
People like to bandy around phrases such as “it’s a wild west” and “it’s an unregulated space”. Pause. Breathe. And let’s take a look at the current CAP and BCAP advertising codes.
At the time of writing, the UK does not have an equivalent of the EU AI Act, although AI labelling remains under consideration by government. However, before we declare AI advertising a regulatory free for all here, it's worth looking at the rules we already have.
We already have an established and responsible advertising self-regulatory system in place in the UK and many of the tools needed to tackle harmful uses of AI already exist in the CAP and BCAP Codes. The essentials are already there. In fact, the more I think about it, the more I find myself reaching for familiar advertising principles rather than wishing for an entire set of new AI-specific rules.
If an AI-generated ad creates a misleading overall impression, the existing rules on misleading advertising and material omissions are likely to be relevant. In some cases, the use of a disclosure or label may not be enough to solve the problem. A disclosure can inform and clarify, but it cannot simply contradict the overall impression created by the ad.
If the use of AI raises broader concerns about harm to consumers or society, the social responsibility rules may come into play. If AI is used to exaggerate what a product can do, advertisers face the same substantiation challenges they have always faced. And if an ad relies on what appears to be a genuine testimonial, endorsement or personal experience, there are already rules requiring such claims to be genuine and not misleading.
Importantly, many of these advertising rules are underpinned by consumer protection legislation. That means it is not just the ASA that may take an interest. The CMA has already shown a willingness to intervene where consumers are misled, including in relation to hidden influencer marketing and fake or incentivised reviews.
You be the Judge
1. An ad features an enormous sculpture of a brand mascot.
AI synthetic human figures are used at a distance and in the background just for reasons of proportion against the mascot. You can’t make out their distinct features.
2. A famous male celebrity is hired for a coffee ad. There are three scenes:
a. The first scene in an Italian garden is shot with the real-life celebrity.
b. The second scene has a mix of shots of the celebrity and then AI version of them purely for the purposes of a stunt where they water ski across Lake Como. It’s not fantastical and something someone could do in real life.
c. The last scene was shot in person initially with the celebrity saying, “Coffee beans from Kenya”. Distribution problems arise because of global events and the coffee beans need to be sourced from Colombia. The post production team with the agreement of the celebrity decide to use AI to change the celebrities voice for this one claim to ensure it doesn’t mislead as to the origin of the coffee claim.
3. A long form ad depicts a panel discussion between experts on a stage and audience members talking about childhood trauma, mental health and behavioural problems as adults and proffering their 15 minute a day app as the solution for behavioural change.
One expert talks about the positive changes it had on his life. The whole ad including the humans is AI generated.
4. An undisclosed AI influencer gives sensible financial advice to retirees and builds up a following of people who don’t know if they are real or not. They then feature in an ad for equity release. The claims are compliant with financial advertising regulations.
5. A bank ad features a warm, young adviser discussing how difficult it is to save for a first home. The adviser is entirely AI. The savings products and claims are all genuine and compliant.
6. A supermarket features parents discussing the challenges of raising autistic children. The parents are entirely AI, but the script is based on research and genuine experiences.
You be the Judge: My thoughts
Consumers don't need to know every time AI is used. They need to know when it matters.
Not all AI humans are equal. Some AI humans are used as production techniques. Other AI humans are potentially deceptive because the audience may believe they are hearing genuine, lived experience or because the audience believes they are forming a relationship with a real person. I can see the potential for harm with undisclosed AI influencers in the spheres of health and finance and when the audience is a vulnerable group.
For me, for the UK, I consider that, 1, and 2 are a no label necessary situation. 3 and 4 either need disclosure or may still mislead even with a label. 5 and 6 are interesting: viewpoints will vary. There is an argument that there is no real consumer harm here and therefore no need for a regulatory disclosure. However, advertisers may still choose to disclose for ethical, PR or brand trust reasons.
AI disclosures in the UK – The future
Do we succumb to blanket, labelling that treats huge rafts of AI creativity like a hazard? Or will we push for a smarter standard based on real harm?
Let’s work out a sensible approach to AI labelling to allow creativity to thrive without any onslaught of unnecessary visual clutter, which will soon lose its intended impact if not employed with care. Let’s concentrate on disclosures where there is potential for real harm.
The wholesale adoption of the EU labelling approach is not the best answer for advertising in my book. The Blue Peter “one we prepared earlier” from the EU should not be a shoo-in for the UK government. We can be a bit more Moog.
IPA Legal and AI
Every day, the IPA Legal Team responds to IPA member requests for advice on advertising and employment law issues. The team also devotes considerable time to keeping members informed of developments affecting marketing communications, employment law and, where relevant, the wider business environment.
Guidance on generative AI is a key area of focus, covering contract provisions, copyright, deepfakes, synthetic humans, governance and the application of industry principles. Team members have also contributed to a number of industry AI taskforces, including engagement with the Government AI & Labelling Workstream on transparency, disclosure and labelling requirements, and their potential implications for advertisers, agencies and the wider creative industries.
Published by the IPA, the IPA AI Magazine helps member agencies make sense of the fast-changing AI landscape, with practical insights, expert perspectives and real-world applications of generative AI.
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